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“Anyone can select a typeface, change the point size, and add some color. I’m not saying a designer’s job is easy, but, as Seddon says, In our increasingly digital world, technology enables more and more people to produce work that is polished and tasteful. When I saw Draw Your Own Fonts: 30 Alphabets to Scribble, Sketch and Make Your Own, by Tony Seddon, I was intrigued. Thank you to NetGalley, the author and publisher for granting access to an arc of this book for an honest reviewĪs a graphic designer who can barely draw, I have always envied those who can incorporate hand drawing to make their designs look unique. This is a good introduction for newbies like me and anyone interested in doing exactly what the title suggests, Draw Your Own Fonts, but please show us more about ways to improvise on suggested forms. My personal favorites were simpler: 7 o’clock shadow and blackout fun.ĭraw Your Own Fonts closes with a brief 4-page discussion on computers and fonts, the anatomy of a font (this would have been way better at the beginning!) and a glossary. Fonts from 12 designers range from the frilly cupid, to knit letters, slime letters, building and topiary letters, and the wild and crazy spaghetti junction and hairy best fonts. Practice graph paper is included after each font for the reader/ hand-writer to begin improvising. Seddon briefly analyzes 30 fonts in simple terms, describing key details that I probably would have missed and suggesting partner fonts. Now add some serifs, what about shading?) Specific examples would really have helped! It would have been extremely helpful for beginners! (For example, basic font: now slant it. I wish he would have broken this down more and devoted a few pages to this. Next, Seddon suggests customizing fonts by adding serifs, flourishes, and exaggerating some aspects of the letters.
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To develop your font, start by tracing over a font you like. Why bother with copying letters you’ve written since Kindergarten? Because they are basic to the next, creative step. Why practice scales when you can play music? Because scales are in the music and promote good technique. Unless you are Really into this, I’m thinking most people would skip the basics. Seddon suggests practicing hard copying basic letter forms to gain a deeper understanding of their forms. With the current resurgence in crafts and hand-lettering, Seddon’s book gives concrete ways to start creating your own font. Tony Seddon takes my knowledge a few steps further.ĭraw Your Own Fonts starts with a ‘lite’ 1-page history background of hand-writing to print to computers. This font is available in semi-bold, which can be used for classic designs, packaging, and labels of Western stores and video games.I’ve been amateurishly interested in hand-written fonts since I made bloopy, ‘groovy’ letters during the late 60s. Also suitable for arcade ads and happy themes.ĭiscomobile 1972 has a classic and slab style font. This classic and vintage font can be seen in many nostalgic 70’s video games.
![late 60s fonts pimp groovy late 60s fonts pimp groovy](https://techmechblog.com/wp-content/uploads/2020/04/Groovy-10.jpg)
Juicy Rooky Vintage Family Font Designed by wubstudio. This 70s font with letters that have a circular end is suitable for nostalgic designs, packaging, posters, invitation cards, and flyers of celebrations. The Beardy is a retro and decorative font.
![late 60s fonts pimp groovy late 60s fonts pimp groovy](https://thedesignest.net/wp-content/uploads/2020/12/1-big-768x510.jpg)
For example to design labels, fashion designs like shirts, typographic quotes, packaging, music album covers for rock bands maybe and many more. You can use Cairlinn for different purposes and also to create vintage touch. This clean Serif font is inspired by the old letters which are used in classic advertisements. Cairlinn by Twicolabs Fontdation is a Retro Fancy 70’s font with two different font files.